
In September 1998 I was starting my second year at Brock University. I'm really not to sure where you were, but I know there were 2 guys in East Point Georgia getting ready for there third album to drop. One of many albums that would have to go on my list of top albums ever recorded.
I'm talking about the great Outkast album known as Aquemini.
I don't know where or when it was that I first heard the track Skew It On the Bar-B, but I know it changed the way I listened to hip-hop. It was incredible to hear Dre and Big Boi drop smooth flowing lyrics over a beat that you would normally hear on a much rougher sounding track. It blew my mind!
Of course there's Rosa Parks, the first and probably biggest single from the album which scored Outkast their first Grammy nomination. They lost to the Beastie Boys' Intergalactic, but then again who ever said that the Grammy's represented the voice of music lovers.
Yes, Rosa Parks was a great demonstration of how these guys could manipulate words to drive their distinctive lyrical flow, but if you really want evidence of this, check the middle of the album. Da Art of Storytellin' (Parts 1 and 2) are 7 minutes I suggest you spend listening with headphones on and the volume cranked. "She was fine as fuck, I wanted to sex the ho up. She said, Lets hit the parking lot so I can sick your duck."...it's so simple, but works so well...genius!
Aquemini was the first chance that Outkast had to do a lot of the album production themselves, without being dictated to by their label (Le Face Records). Going back and listening to Aquemini after listening to Stankonia and Speakerboxxx/Love Below (4th and 5th albums) you really hear the start of the evolution of Outkast's sound which developed into the sound that launched them into mainstream popularity. Check the tracks Slump and SpottieOttieDopalicious...trust me.
Since Speakerboxxx/Love Below Outkast gave us the Idlewild soundtrack, but that's been it, and who knows how long it will be before we hear from them again. Yeah sure Big Boi is apparently set to release the album Sir Lucious Left Foot: The Son of Chico Dusty this summer, but let's face it, this album has been pushed out almost as much as GNR's Chinese Democracy. Okay, so it's only been a couple of years, but I still won't believe it until I hear it.
Bottom line...if you find yourself missing Outkast as I have been lately, then throw Aquemini on your iPod, and give it another listen...or 17...in a row...just for old times sake. If you've never hear the album, then get it...anyone you know who's "into hip-hop" owns this album...and if they don't, then you should tell them to stop telling people that they're "into hip-hop".

